Arri Master Prime T1.3 PL with incredible close focus capability are best described as perfect. Seriously these lenses are so good at everything that they are actually faultless. They are colour matched with the Arri Ultra Primes and the Arri Alura zooms. They are big and heavy though but it is...
The wonderful Cooke S4i T2 prime lens set of 5, PL mount are famous for the unique 'Cooke look' that directors and DOPs love. These are a firm favourite of Hollywood because of the gentle softness of the image and the gentle way the focus drops away even at T2. These are a joy to focus and...
The Cooke S4i T2 14mm prime lens is a fantastic addition to the standard set of 5 when you need an ultra wide perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image and...
The Cooke S4i T2 100mm prime lens is a fantastic addition to the standard set of 5 when you need a more telephoto perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image...
Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.
Ultra Prime Lenses retain their superb image quality even at close focus across the whole...
The Zeiss Super Speed PL Lens set are the most popular of all the vintage prime sets. They are seriously fast at T1.3 for incredible low light performance but are also light and compact. They are also very sharp above T2.8 but below that they give a soft look that Directors love. One of the main...
Canon K35’s Set of 5 fast primes are seriously popular and very cool. They are used for films, commercial and music videos and for any project where a vintage super fast lens is required. They give a softer look than modern lenses with amazing bokeh and flattering skin tones.
Leica Summicron C 6 prime set is a joy to film with, and give that special 'Leica' look that Directors love.
All lenses will cover RED Dragon Sensor in 6K Mode
Canon 4K rated CNE Prime set are an outstanding fully manual EF solution.
Hire Canon Cinema 4K Prime Lenses (Canon CinePrimes) from Media Dog, based in Birmingham the Midlands, Manchester and Glasgow Scotland, but ship...
14mm T3.1 Wide Angle lens for the Canon CNE Lens range.
Set of Super Fast PL Primes. Very light so great for gimbal work or when you're running around various locations.
18.5mm, 25mm, 36mm, 50mm, 85mm, all T1.5.
Designed and produced in Germany these lenses ideal for shooting in low-light conditions, and provides beautiful bokeh. Kit includes...
24mm - T1.5
35mm - T1.5
50mm - T1.5
85mm - T1.5
14mm - T3.0
The Samyang VDSLR prime lens kit 5 is EF mount and despite the name Produced in Germany. They are very fast and they are impressively compact and light so great for use on a gimbal. They have gears for follow focus or remote as well as iris gears. the lenses are designed to cover a full frame...
The CineMagic Revolution Lens System is a snorkel lens system that can turn through 360 degrees, and the miniature PL lenses give you a variety of focal lengths, making this device ideal for tabletop or miniature shots, where there is not enough space to mount and rotate a full camera setup....
18mm, 35mm, 50mm, 85mm.
Optimised for video with smooth iris ring. These lenses offer incredible video capture that are even better than Canon L glass.
The small depth of field that is achievable is outstanding, and they create a beautiful bokeh which gives your images a filmic and...
Incredibly lightweight and compact, making them perfect for Gimbal work with E-Mount Cameras (such as A7S, A73, FS5 and FS7), especially as they fit natively so also negate the need for an EF (Metabones) adapter, saving further weight.
21mm - f/2.8 Wide-Angle lens
35mm - f/2...
Carl Zeiss Loxia f2 50mm Prime Lens
Carl Zeiss Loxia f2 50mm E-mount Prime Lens
The EF 14mm f/2.8L II USM is a very very wide lens with a 114˚ field of view. It is the widest of Canon's L glass and controls distortion well for such a wide lens.
The image quality is as good as you would expect from a Canon L series lens.
The Laowa 24mm Probe lens, also referred to as an Anteater lens due to it's unusual shape, is an extreme Macro lens designed around getting really unusual close up views. The long nose allows you to get into positions standard lenses cannot, and with small LED lenses at the tip of the lens to...
Popular among Photographers and Cameramen alike, Canons 24mm prime is Ultra fast (1.4) and ultra cool.
A wide 84" Angle of view means that this is a perfect lens for your wide shots.
Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2
The 35mm is a standard for both photographers and cameramen. It is is Ultra fast (f1.4) and creates ultra cool images.
Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2 or and of the L series lenses.
Canon's L Series F1.2 50mm. A classic, and excellent for getting a shallow depth of field.
Canon's L Series F1.2 85mm. perfect for those interview shots, or portrait photography.
Even better when used alongside the 24mm and 50mm
Canon 100mm F2.8 Macro Lens.
Get up close to your subject with stunning macro images. Super sharp and super fast focusing.
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