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Arri Signature Primes Set

Arri have managed to create a lens that is sharp, but also manages to look soft and luscious at the same time. A very neat trick.

The quality of these lenses is literally incredible. They cover full frame, but also produce stunning results on Super-35mm sensors (with an LPL-PL adapter)....

Angenieux Optimo 24-290mm T2.8

Main Features
• Class leading image quality across the entire 12x zoom range
• Extremely fast aperture of T2.8 with no ramping
• Superb image quality from open aperture
• Precise and ergonomic focus ring with scale rotation of 327 degrees and over 70 focus witness marks...

ARRI Signature Zoom 45-135mm

A Full Frame LPL T2.8 Zoom Lens with the quality and precision you would expect from Arri in their Signature Range. Matching their Signature Primes perfectly, but with the benefits of a huge zoom range for those shoots where a quick change of shot, or acquision of many shots where lens changes...

Fujinon Premista 19-45mm T2.9 - PL

Fujinon Premista 19-45mm T2.9 wide angle cine zoom Lens PL Mount is an incredible lens producing amazing images. It is one of three in the range and includes the Premista 28-100mm and Premista 80-250mm lenses. This lens has incredibly high resolution, accurate colour rendition, and very...

Fujinon Premista 28-100mm T2.9 PL

Fujinon Premista 28-100 T2.9 standard cine zoom Lens PL Mount is an incredible lens producing amazing images. It is one of three in the range and includes the Premista 19-45mm and Premista 80-250mm lenses. This lens has incredibly high resolution, accurate colour rendition, and very controlled...

Fujinon Premista 80-250mm T2.9-3.5 PL

Fujinon Premista 80-250 T2.9-T3.5 cine zoom Lens PL Mount is an incredible lens producing amazing images. It is one of three in the range and includes the Premista 19-45mm and Premista 28-100mm lenses. This lens has incredibly high resolution, accurate colour rendition, and very controlled...

Carl Zeiss Supreme Prime Lens Set

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.
Set includes 25mm, 29mm, 35mm, 50mm...

Carl Zeiss Supreme Prime Lens 18mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

This 18mm gives that wider option...

Carl Zeiss Supreme Prime Lens 21mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

This 21mm gives that slightly wider...

Carl Zeiss Supreme Prime Lens 40mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

The 40mm is a classical favourite of...

Carl Zeiss Supreme Prime Lens 65mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

This 65mm fills a very handy gap in...

Carl Zeiss Supreme Prime Lens 100mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

100mm gives you that extra focal...

Carl Zeiss Supreme Prime Lens 135mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

135mm gives that extra telephoto...

Carl Zeiss Supreme Prime Lens 150mm

Carl Zeiss Surpremes are Full Frame (Cinematic Large-Format) PL-Mount Lenses. Incredibly fast at T1.5 and outstanding quality, perfect for use with RED Monstro, Arri Alexa LF and Sony Venice, but will also work on Super-35mm Cameras with a crop-factor.

150mm gives a fantastic telephoto...

Cooke Anamorphic 6 Lens Set (32, 40, 50, 65, 75, 100)

Incredible 2x anamorphic lenses with the signature Cooke look that is loved by so many the world over. Colour match perfectly with the very popular Cooke S4i lenses, and with smooth iris and focus rings for use with focus control units. At T2.3 they offer great speed and are inkeeping the high...

Cooke Anamorphic Lens 25mm

Incredible 2x anamorphic lens with the signature Cooke look that is loved by so many the world over. Colour matches perfectly with the very popular Cooke S4i lenses, and with smooth iris and focus rings for use with focus control units. At T2.3 they offer great speed and are inkeeping the high...

Cooke Anamorphic Lens 135mm

Incredible 2x anamorphic lens with the signature Cooke look that is loved by so many the world over. Colour matches perfectly with the very popular Cooke S4i lenses, and with smooth iris and focus rings for use with focus control units. At T2.3 they offer great speed and are inkeeping the high...

Leica Noctilux 50mm T0.95

Rare and simply stunning Leica 50mm from their M family. Re-housed to a Cine Style with PL Mount by True Lens, it has an ultra fast aperture of 0.95, producing a beautiful circular bokeh with incredibly small depth of field, which covers Full Frame without any vignette; including Venice, Arri...

Laowa 12mm Zero-D Cine (PL)

F2.8 Ultra wide lens with close to zero distortion. This lens has shot to popularity lately with it's clever technology and solid build quality, producing crisp and sharp ultra wide images with very little distortion.

Kowa Anamorphic Prime Lens Set

Our Kowa-Prominar lenses are an incredible set of vintage anamorphic lenses that offer a low contrast and pleasantly warm and unique filmic aesthetic.

Originally manufactured in Japan in the 1960s, and rehoused for more modern applications, the lightweight and compact design makes them...

Lomo Anamorphic Lens Set (50, 75, 100, 150mm)

Lomo anamorphic lenses have all the character of a classic anamorphic glass; with beautiful elliptical bokeh and lens flare, creating an instant cinematic look to your shots but at on a much friendlier budget to hire than some of the more modern anamorphic lens options.

With 2x anamorphic...

Cooke S4i T2 Prime Kit (18, 25, 32, 50, 75, 100mm)

The wonderful Cooke S4i T2 prime lens set of 6. Famous for the unique 'Cooke look' that directors and DOPs love, these are a firm favourite of Hollywood because of the gentle softness of the image and the gentle way the focus drops away even at T2. These are a joy to focus and create images that...

Cooke S4/i 14mm, T2.0 Prime Lens

The Cooke S4i T2 14mm prime lens is a fantastic addition to the standard set of 5 when you need an ultra wide perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image and...

Cooke S4/i 35mm, T2.0 Prime Lens

Fantastic addition to the Kit of 6, settling in nicely just above 32mm, giving those extra creative options, but always with that wonderful Cooke look.

Cooke S4/i 21mm, T2.0 Prime Lens

Very popular addition to the kit of 6, settling in beautifully between the 18mm and 25mm, for extra creative options, but always with that 'Cooke look'.

Cooke S4/i 65mm, T2.0 Prime Lens

Very useful addition to the standard set, giving you those extra options between the 50mm and the 75mm.

Cooke S4/i 135mm, T2.0 Prime Lens

The classic telephoto option for the incredible range of Cooke S4i.

Cooke S4/i 40mm, T2.0 Prime Lens

The classic favourite focal length for many Directors and DOP's. 40mm is loved due to it's slightly-wider-than-natural perspective and is a popular addition to the Cooke S4i set, slotting in between the 32mm and 50mm for that extra option.

Arri Ultra Prime 5 Lens Kit (20, 25, 32, 50, 85mm)

Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.

Ultra Prime Lenses retain their superb image quality even at close focus across the whole...

Arri Ultra Prime 16mm

Beautiful wide option for the Arri Ultra Prime set.

Angenieux Optimo DP 30-80mm

A stunning Cinematic Super-35mm Zoom lens, in PL mount and T2.8 across the zoom range and smooth movements throughout with no breathing throughout the zoom range. It is also incredibly lightweight at less than 2kg, making it very popular for hire with the handheld and gimbal market.

...

Zeiss Superspeed T1.3 Kit (18, 25, 35, 50, 85mm)

The Zeiss Super Speed PL Lens set are the most popular of all the vintage prime sets. They are seriously fast at T1.3 for incredible low light performance but are also light and compact. They are also very sharp above T2.8 but below that they give a soft look that Directors love. One of the main...

Zeiss B Speeds (18mm, 25mm, 35mm, 50mm, 85mm)

Mark 1 Superspeeds, also known as B Speeds, have a triangular bokeh giving them a slightly different style of drop-off to the more common Mark 2 Superspeeds, and tend to flare less when fully open.

These were the lenses used to film Taxi Driver, along with many other classic films of the...

Canon K35 Vintage Prime Lens Kit

Canon K35’s Set of 5 fast primes are seriously popular and very cool. They are used for films, commercial and music videos and for any project where a vintage super fast lens is required. They give a softer look than modern lenses with amazing bokeh and flattering skin tones.

18mm
...

Cooke Speed Panchro Lens Set

Set of 18mm, 25mm, 32mm, 50mm, 75mm vintage style lenses. Cooke Speed Panchros are 50 year old lenses which have been lovingly re-housed to suit modern cameras, giving that vintage feel whilst utilising the benefits of modern sensors and recording quality.

Leica Summicron C Prime Lens Kit

Leica Summicron C 6 prime set is a joy to film with, and give that special 'Leica' look that Directors love.

All lenses will cover RED Dragon Sensor in 6K Mode

18mm T2
25mm T2
35mm T2
50mm T2
75mm T2
100mm T2

Canon CN10 25-250 Zoom Lens

A proper workhorse of a lens, offering Cinematographers a wide zoom range in a very lightweight and compact setup (weighing only 3.1kg).

PL Mount, Super-35mm with smooth zoom ring for use with lens control systems. Optimised with high-speed zoom, iris and focusing to allow operators to...

Canon CN7 17-120 Zoom Lens

Optimised with high-speed zoom, iris and focusing to allow operators to respond rapidly during fast-paced scenes. Ideal for use in the field for productions such as documentaries and event filming.

With a zoom range from 17-120, it covers a great range whilst maintaining optical quality...

Canon CNE 30-105 T2.8

Canon CN-E 30-105 T2.8 PL Cinema Zoom

The Canon 30- 105 CN-E lens is a great compact zoom lens. In fact feels as well put together and producers images that you might expect from very high end cinema glass. It is designed to be used with super 35 or APS-C 4K or HD...

Sigma FP Full Frame Pentafinder

Pentafinder, also often referred to as a Directors Viewfinder, gives a quick look at the potential shot of various focal lengths, without rigging the whole production, and being small enough to keep in your pocket for moving around easily.

This Sigma is specifically designed for Full...

Canon Cinema Prime (CNE) Lens Kit

Canon 4K rated CNE Prime set are an outstanding fully manual EF solution.

24mm T1.5
35mm T1.5
50mm T1.3
85mm T1.3

Hire Canon Cinema 4K Prime Lenses (Canon CinePrimes) from Media Dog, based in Birmingham the Midlands, Manchester and Glasgow Scotland, but ship...

Canon Cinema Prime (CNE) 135mm Lens

Canon 135mm T2.2 Fully Manual 4K Rated EF Cinema Lens

Canon Cinema Prime (CNE) 14mm Lens

14mm T3.1 Wide Angle lens for the Canon CNE Lens range.

Canon CN-E 18-80 T4.4 Cine Zoom Lens

Canon 18-80 is a lightweight but versatile Cine Zoom lens. Not the fastest at T4.4 but with an 18-80 zoom range it covers a decent amount for most shoots. Often hired as an alternative to having both a 16-35 and a 24-70, as negates the need for lens changes on the shoot saving a considerable...

Tokina 100mm Cinema ATX Macro Lens T2.9

Тhе Тоkіnа Сіnеmа АТ-Х 100mm Т2.9 Масrо Lеnѕ іѕ а truе 1:1 mасrо сlоѕе-uр tеlерhоtо lеnѕ dеѕіgnеd fоr сіnеmа uѕе. Іntеndеd tо сарturе сіnеmа-quаlіtу рісturеѕ, уоu саn uѕе thіѕ rеvоlutіоnаrу lеnѕ аnd іtѕ іmрrеѕѕіvе 1:1 rерrоduсtіоn rаtіо tо рrоduсе lіfе-ѕіzеd mасrо іmаgеѕ аt а wоrkіng dіѕtаnсе оf...

Tokina 11-20mm Cinema ATX T2.9

Тhе Тоkіnа Сіnеmа 11-20mm Т2.9 PL mount lens іѕ а соmрасt, wіdе-аnglе Т2.9 zооm lеnѕ thаt hаѕ gаіnеd а lоt оf рорulаrіtу аmоng fіlmmаkеrѕ. Wіth vеrу lіttlе dіѕtоrtіоn аnd mіnіmіѕеd fосuѕіng brеаthіng, thе іmрrеѕѕіvе Тоkіnа 11-20mm Т2.9 dеlіvеrѕ оutѕtаndіng іmаgе quаlіtу. Іt hаѕ а раrfосаl lеnѕ...

Samyang XEEN 5 Cinema Lens Kit

Designed and produced in Germany these lenses ideal for shooting in low-light conditions, and provides beautiful bokeh. Kit includes...

24mm - T1.5
35mm - T1.5
50mm - T1.5
85mm - T1.5
14mm - T3.0

Samyang Prime Lens Kit

The Samyang VDSLR prime lens kit 5 is EF mount and despite the name Produced in Germany. They are very fast and they are impressively compact and light so great for use on a gimbal. They have gears for follow focus or remote as well as iris gears. the lenses are designed to cover a full frame...

ARRI Alura 15.5-45/T2.8 zoom

The ARRI Alura 15.5-45/T2.8 is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 30-80/T2.8 zoom.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6...

ARRI Alura 30-80/T2.8 zoom

The ARRI Alura 30-80/T2.8 zoom is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 15.5-45/T2.8.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2....

Sigma 4.5mm 2.8 Circular Fisheye

EF Mount Circular Fisheye Lens.

MC Peleng 8mm f3.5 Fisheye

MC Peleng 8mm F3.5 fisheye lens

This rare Russian PL Mount Circular Fish Eye is designed to give a full 180 degree field of view on Super 35mm & APS-C sensor cameras. It gives a circular image which vignettes in the corners, or gives a circular image on a full frame...

Carl Zeiss Prime Lens Kit

18mm, 35mm, 50mm, 85mm.

Optimised for video with smooth iris ring. These lenses offer incredible video capture that are even better than Canon L glass.

The small depth of field that is achievable is outstanding, and they create a beautiful bokeh which gives your images a filmic and...

Carl Zeiss 100mm Macro

The Zeiss 100mm f2 T* Makro-Planar ZE Lens offers fantastic macro performance. It is highly reliable with full metal precision mechanics. If you want to get close in or film something really small then this is the lens for you.

Carl Zeiss Loxia 3 Prime Lens Set - E mount

Incredibly lightweight and compact, making them perfect for Gimbal work with E-Mount Cameras (such as A7S, A73, FS5 and FS7), especially as they fit natively so also negate the need for an EF (Metabones) adapter, saving further weight.

21mm - f/2.8 Wide-Angle lens
35mm - f/2...

Canon CN20 50-1000 4K Zoom Lens Hire

An ultra-telephoto CINE-SERVO lens, ideal for, festivals, concerts sports events and wildlife applications the CN20 offers stunning 4K performance.

20x zoom and a 1.5x built-in extender for an unrivalled 50-1000mm focal length (75-1500mm with extender).

Kit includes tripod mounted...

Canon 14mm f/2.8L II USM

The EF 14mm f/2.8L II USM is a very very wide lens with a 114˚ field of view. It is the widest of Canon's L glass and controls distortion well for such a wide lens.

The image quality is as good as you would expect from a Canon L series lens.

Canon 24mm F1.4 Lens

Popular among Photographers and Cameramen alike, Canons 24mm prime is Ultra fast (1.4) and ultra cool.

A wide 84" Angle of view means that this is a perfect lens for your wide shots.

Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2

Canon 35mm F1.4 Lens

The 35mm is a standard for both photographers and cameramen. It is is Ultra fast (f1.4) and creates ultra cool images.

Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2 or and of the L series lenses.

Canon 50mm F1.2 Lens Hire

Canon's L Series F1.2 50mm. A classic, and excellent for getting a shallow depth of field.

Canon 85mm F1.2 Lens

Canon's L Series F1.2 85mm. perfect for those interview shots, or portrait photography.

Even better when used alongside the 24mm and 50mm

Canon 11-24mm F4 Lens

Its hard to put into words just how cool this lens is.

This Lens is Super wide, but with very little distortion. ideal for landscape photography, or if your after some very cool video work.

Canon 16-35 F2.8L MkII Lens

One of the best wide angle lenses ever made. This lens is almost as sharp as a prime lens throughout it's zoom range.

The mark 2, released in 2012, includes a number of nice tweaks and improvements on the mark 1, further improving the optical quality.

For use on cameras such as the...

Canon 24-70 F2.8L MkII Lens

The classic "walkaround lens". If you were going to have one lens, this is it, because it is a nice compromise between wide and zoom.

Canon 70-200 F2.8L Lens

One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews.

Canon 70-200 F2.8 IS L Lens

One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews.

With Image Stabalisation. (non-IS version available for £30)

Canon EF 100-400mm f/4.5-5.6L IS

The Canon EF 100-400mm f/4.5-5.6 L IS Mark II USM lens, is superb for getting close up shots of your subject.

Canon 100mm Macro Lens

Canon 100mm F2.8 Macro Lens.

Get up close to your subject with stunning macro images. Super sharp and super fast focusing.

Call us now for Camera and Lens Hire in Birmingham and The Midlands.

Canon 24-105 F4 Lens

The 24-105 Canon F4 IS lens is a fantastic standard zoom lens. It is wide enough for most cicumstances, and gives a much longer reach than the very well respected 24-70.

The addition of image stabilisation gives many advantasges, including a huge rise in image quality from DSLR, such as...

Sigma 18-35 F1.8 Lens

Sigma 18-35 F1.8 - the newest lens from Sigma, remains constant F1.8 aperture through it's zoom range.

Provides a 35mm-equivalent focal length range of 28.8-56mm.

Canon 70-200 F4 Lens

F4 Version of the popular 70-200 Zoom Lens; a cheaper alternative if you're filming outdoors and don't require the low light capabilities of the 2.8 version.

Sony 10-18mm F4 Lens

Sony 10-18mm is a wide angle APSC lens, supporting autofocus through the native E-mount. Popular with the Sony PXW, ILME and A7 mirrorless ranges.

Sony FE 16-35mm F2.8 GM

Sony's versatile wide angle zoom lens in the GMaster range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony ILME range of cameras.

Sony FE 24-70mm F2.8 GM

Sony's classic 'walkaround' lens in the GMaster range of lenses. 24-70 is a go-to choice for most shoots, particularly if you are only taking one lens or not able to do regular swaps, as 24mm is wide enough for a majority of situations, and at 70mm you have enough reach to get your closer up...

Sony FE 70-200mm F2.8 GM

Sony's telephoto zoom lens in the GMaster range of lenses. Very useful focal length for getting those close up shots, as 200mm is ample for most situations, but at 70mm at it's widest you are not totally limited to purely close ups. As with all the popular G Master range, it has great optical...

Sony FE 24-70mm F4

The classic walkaround lens, when you don't need the speed or autofocus that the G Master (f2.8) offers, and keeps yor budget down. It's still a solid workhorse of a lens, and great in a variety of situations, especially filming outside when low light is not an issue.

Sony FE 14mm F1.8 GM

Wide-angle prime lens which fits natively to E-Mount cameras such as the PXW, ILME and A7 Mirrorless range of Sony cameras.

Ultra wide, but not with the distortion you would get with the wider lenses, 14mm has been a sweet spot for ultra wide lenses for quite a while, previously with the...

Sony FE 35mm F1.4 GM

Sony's 35mm Prime lens in the G Master range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony FX and ILME range of cameras.

Sony FE 50mm F1.2 GM

Sony's 50mm in the GMaster range of lenses. Great optical quality through a Sony E-Mount, supporting the outstanding facial-recognition autofocus features of the Sony FX and ILME range of cameras.

...

Canon 24mm Tilt Shift

Known for creating that 'toy town' look, the f3.5 24mm Tilt Shift allows you to adjust the Tilt and Shift movements within the lens independantly, allowing perspective and depth of field to be controlled separately.

It is not just used to create obscure images though, it can also be used...

Canon 45mm Tilt Shift

Known for creating that 'toy town' look, the f2.8 45mm Tilt Shift allows you to adjust the Tilt and Shift movements within the lens independantly, allowing perspective and depth of field to be controlled separately.

It offers an image very similar to the way your eyes naturally see the...

Lensbaby Sol 45

The Lensbaby Sol 45 is a 45mm fixed f/3.5, is a new easy to use lens that creates a tack-sharp circular area of focus surrounded by dramatic blur and smooth bokeh. Featuring an 8.5º area of tilt, users can select the area of focus within their, whether you are shooting on a full frame or APS-C...

Laowa 24mm Macro Probe Lens (EF Mount)

The Laowa 24mm Probe lens, also referred to as an Anteater lens due to it's unusual shape, is an extreme Macro lens designed around getting really unusual close up views. The long nose allows you to get into positions standard lenses cannot, and with small LED lenses at the tip of the lens to...

Cine Magic Revolution System - Periscope Lens

The CineMagic Revolution Lens System is a snorkel lens system that can turn through 360 degrees, and the miniature PL lenses give you a variety of focal lengths, making this device ideal for tabletop or miniature shots, where there is not enough space to mount and rotate a full camera setup....

Metabones EF Lens to Sony E Mount Adapter

The Metabones Canon EF Lens to Sony E Mount T Smart Adapter (Mark IV) allows you to use the vast selection of Canon EF mount zoom and prime lenses on cameras such as the Sony PXW-FS7 or Sony A7s. Just attach the adapter to the front of the camera and you are ready to go. The digital contacts...

x2.0 PL Extender Adaptor

Stainless steel PL mount
Aluminium construction, anodised and blackened

Canon Extender EF 2X III Teleconverter Lens Doubler

Our 2X III Doubler is ideal for nature, sports and red carpet press shoots in conjunction with our L-series telephoto zoom lens! It increases the focal length of by a factor of 2x great for getting closer to your subject with out being in thee space.

Canon EF Extender x1.4 Mk III

The Mark 3 Canon 1.4 EF Extender is a huge improvement on the Mark 2. Fits between the lens and EF Mount to give you 1.4x range on your existing EF lens (turning a 200mm into 280mm). Specially designed to work in conjunction with EOS L-series lenses.

Canon HJ22 Lens Hire

The Canon HJ22 offers fantastic zoom whilst still being small and light enough to transport for use in the field.

Canon HJ22X7.6 High Definition Broadcast Lens.

IRSE, IASE

Canon HJ11 / HJ14 Wide Angle HD Lens Hire

Canon HJ14 EX4.3B IRSE Broadcast Lens.

This is the newer model for the popular Canon HJ11, a truly amazing HD Lens with an extremely wide angle and with a 14x zoom (28x with the optic doubler!)

The HJ14 is the widest angle among all the broadcast lenses whilst maintaining...

Canon HJ40 Lens Hire

Canon HJ40 lens is the industry standard telephoto lens. Favourite for wildlife, stadium, sport and festival use. With it's gyroscopic image stabilisation system on a 14-560 zoom range, it is the best in the business.

Supplied with zoom and follow focus.

Free nationwide delivery on...