Birmingham 0121 285 0021
Email birmingham@media-dog.com
Manchester 0161 850 7676
Email manchester@media-dog.com
Scotland 0141 280 8700
Email scotland@media-dog.com
The Nexto DI NSB-25 is a fantastic bit of kit for wrangling regularly and keeping cards turning over in the field. Touch screen display makes logging your clips simple and quick, and writing to SSD drives makes it secure and reliable, with 2 easily swappable SSD drive slots.
You can play...
Small HD (SmallHD) 22" OLED Monitor is a great large size directors monitor, with virtually no image degradation at any viewing angle, making it perfect for a production team to view the camera feed.
1,000,000:1 contrast ratio with genuine true-to-life colour accuracy. It has a...
Atamos Shogun Inferno is an SDI and HDMI Monitor and External recorder, allowing 4K recording to ProRes, DNxHD or Raw .DNG files.
Fantastic 1920x1200 screen and an easy to use touch screen menu system, allowing focus assist and exposure tools.
Has 4x HD-SDI and 1x HDMI, and 2...
The Atamos Ninja Blade is a simple but effective HDMI 1080p Recorder. Recording to reliable Solid State Drives in Apple ProRes or Avid DNxH. These are popular for event filming, allowing multiple hours of recording without needing to change cards and wrangle on set. A 480gb SSD will get...
The Ronin 2 is the newest high-end stabilisation gimbal system from DJI. Capable of holding over 13kg it can comfortably support cameras such as the Arri Alexa Mini with lens and wireless follow focus units. This has been a fantastic addition to the hire market as it makes high-end steadycam...
The Easyrig 5 Vario with Extended Arm +230mm/9in. The Easyrig vario 5 gives you the same advantages as the other Easyrig models with the added benefit of being able to adjust the line tension to adapt to many different cameras and configurations.
The Easyrig Vario 5 still delivers the same...
Easyrig Cinema 3 holds between 7.7kg and 9.9kg, taking the weight off your arms for sustained amounts of handheld work, distributing the weight evenly over your shoulders and waist.
This is a perfect size for Sony FS7, FX9.
If you are using a Gimbal such as a Ronin-2 or a MoVi Pro...
Easyrig Minimax holds between 2kg and 7kg, taking the weight off your arms for sustained amounts of handheld work, distributing the weight evenly over your shoulders and waist.
If your camera setup is more than 7kg then you'd need something like the <a href=https://www....
OLED EVF which can be used with any SDI or HDMI camera to provide a high-quality Gratical Eyepiece.
It requires a power source from D-Tap Battery or D-Tap Camera port, so let us know what camera you are planning to use this with so we can advice before booking.
Features...
...
Pentafinder, also often referred to as a Directors Viewfinder, gives a quick look at the potential shot of various focal lengths, without rigging the whole production, and being small enough to keep in your pocket for moving around easily.
This Sigma is specifically designed for Full...
560Wh NiMH Simultaneous Voltage Output Battery with multiple 14 and 28V XLR outputs.
These are I deal for running your Directors monitors and normally get hired in pairs although the cost on the site is only for a single unit. They come with a 12v charger per pair.
Various V-Lock (V-Lok) Battery Kits available, let us know your requirements.
Our battery kits are heavily discounted when hired with Cameras or Accessories which require them. However if you require extras we have various capacities and brands available, let us know your requirements....
Our battery kits are heavily discounted when hired with Cameras or Accessories which require them. However if you require extras we have various capacities and brands available, let us know your requirements.
If you intend to fly please let us know, as we have models which are made up of...
Our battery kits are heavily discounted when hired along with Cameras or Accessories which require them. However if you require extras or just to hire battery kits on their own, we have various capacities and brands available, let us know your requirements.
The Preston wireless three-motors F+I+Z system offers wireless control over the focus, zoom and iris on any cine style lenses. This is newest version of an industry classic and combines robust quality, high precision and easy operation. The Preston has has been the standard for the drama, film...
The ARRI LCS 3 axis wireless lens control system is one of the finest available and is the first choice of many experienced professionals. It is compatible with all major camera and lens types so if you are a RED, ARRI, Sony or any of the increasing list of cameras out there you are covered. It...
The most sophisticated hand control unit on the market, with robust radio frequency and swappable radio modules for use in different countries and regions, to control both camera and lens.
...
The Tilta Nucleus-M is a fantastic yet simple 3-channel lens control system. Wirelessly control your focus, zoom and iris with incredible accuracy.
It can also be controlled by hand grips allowing the camera operator to control from a handheld position.
The motors are designed to...
The Arri FF4 follow focus has been the standard for film and commercial work for as long as we can remember. It is the ideal choice for film and cine-style lenses with a gear ratio of 1:2 is appropriate for a wide range of lens barrel sizes. It can be used with both 15mm and 19mm ARRI support...
The FF-5 follow focus system is a follow focus that suits all kinds of lenses.
The Schultz Spray off Micro Rain Deflector allow shooting in the rain using standard Matte Box set up, slotting into a 4x5.6 (PV) or 5x5 Filter Tray and deflecting rain away from the front of the lens.
Works from 12-24 Volts and has an integrated speed control.
These are also not...
The MB-320 is a compact matte box and features a quick-lock mounting system that attaches directly to the front lens barrel. This matte box accommodates a 4x4" filters and works with most wide angle lenses in both 4:3 and 16:9 aspect ratios.
Suited for a wide range of applications in just one product, the robust but lightweight LMB 4x5 allows for an unprecedented level of flexibility. From a single-filter configuration for gimbals, drones, or Steadicams to clamp-on versions up to rod-mounted solutions, the LMB 4x5 makes short work...
ARRI's most advanced lightweight matte box, the LMB-25 clip-on matte box in the LMB series, can be configured with either 2 or 3 filter stages on set or location with no tools.
Compatible with most lenses, our comprehensive LMB-25 kit is supplied with 4×5.65/4×4 combo filter frames,...
The LMB 6x6 is designed for maximum modularity at a minimum weight, and optimised for 6.6 x 6.6 inch filters. The Matte Box can be used with 15 mm and 19 mm studio rod support. To avoid unwanted reflections the LMB 6x6 can be tilted 10° up and down with the optional Swing Away Tilt Module. All...
The ARRI MMB-2 is a compact and lightweight matte box for use clamped onto a lens or on lightweight 15 mm rods. With a wide range of available accessories, the MMB-2 is a fully featured matte box that fits well with the latest lightweight digital cameras.
The Bright Tangerine Misfit is a compact lightweight matte box with swing-away slide core for faster lens changes or clamp on options and both options can be changed with in seconds. It can also fit 15mm or 19mm bars.
Filter Stages: 2-stage and 3-Stage. (Patented REVEAL Technology)
...
The Arri MB-18 4"x5.65" production Matte Box is the standard for film and commercial work. It is a flexible wide-angle studio Matte Box that can be used with primes and various zoom Lenses. It is a good alternative to the Arri MB-14 if a smaller build is needed. It does require a...
The MB-19 is a compact, lightweight production matte box which is supplied with a filter stage for two 4" x 5.65" filters. The front filter can be pushed through vertically, the rear filter can be displaced horizontally and additionally rotated. The filter
stage is fitted with a...
The SMB-1 is a large studio matte box, it is designed for bigger wide-angle prime lenses, as well as zooms.
The SMB-1 covers the full ALEXA sensor area and allows the Master Prime 12 mm to be used with a 2-filter-stage, the Ultra Prime 10 mm with a 1-filter stage, and the Ultra Wide Zoom...
The Studio Matte Box SMB-2 is optimised for 4" x 5.65" filters positioned either vertically or horizontally. It is well suited to most prime lenses and smaller zooms.
Designed for super wide lenses, this is supplied with two fully rotating filter tray sections - both independently lockable.
Package also includes quick release aluminum French flag and optically flat coated ray shade.
Weight: 725gms.
High-End Neutral Density filters designed to eliminate the higher end of the IR spectrum that standard ND's may let through. As camera sensors have become more sensitive they have become more susceptible to IR, so for 6K and 8K filming these offer better protection from IR leakage.
...
Used to simulate the classic diffused look of old style film, using a 1950s style hosiery between their signature clear glass and engineered with their usual care to reduce edge flaring. Set contains 2 filters of differing intensities.
Tiffen IRND Infrared neutral density filter kit. Standard set including -
0.3
0.6
0.9
1.2
Tiffen has the latest IRND technology with the Soft/FX® filters that retain overall image clarity while softening unwanted details. Combining IRND to allow selective...
Tiffen Black Pro-Mist Filter 5.65" x 4" set of 4 comprising off...
1/8
1/4
1/2
1
Tiffen IRND Infrared neutral density filter kit Standard set including -
1.5
1.8
2.1
Tiffen has the latest IRND technology with the Soft/FX® filters that retain overall image clarity while softening unwanted details. Combining IRND to allow selective aperture and IR...
Tiffen Neutral Density Filter PV 5.65" x 4" set of 4 comprising off...
.3
.6
.9
1.2
Tiffen Glimmer Glass 6 Set 5.65" x 4" comprising of...
1/8
1/4
1/2
1
2
3
Similar charactistics to the Black Promist filters, only with light specks instead of the black, giving a more glimmering look whilst still producing the promist style...
Tiffen Soft Edge Neutral Density Filter PV 5.65" x 4" set of 3 comprising off...
.3
.6
.9
Hard Edge work similarly to the more common soft edge filters, but have a much more sudden change in effect, which is useful when lining up to edge of buildings, horizon, or similar.
Tiffen Hard Edge Neutral Density Filter PV 5.65" x 4" set of 3 comprising of...
.3
....
Tiffen Optical Flat Filter PV 5.65" x 4" .
For use with Matte boxes without a rotating stage this Tiffen 138mm Variable ND System incorporates two polarizers mounted in Multi Rota Tray which achieves variable ND from 0.5 to infinity by using a thumbwheel control.
Schneider 138mm Full Diopters. Set includes: +1/2, +1, +2 and +3
Set of three 4x4 Neutral Density Filters
The Kit includes...
0.3 ND Filter
0.6 ND Filter
0.9 ND Filter
Set of four 4x4 Soft Edge Graduated Neutral Density Filters
The Kit includes...
0.3 SE Grad ND Filter
0.6 SE Grad ND Filter
0.9 SE Grad ND Filter
1.2 SE Grad ND Filter
Vaxis Storm 3000 Dual Receiver Kit is an incredibly powerful wireless link, stable up to 1km with zero frame delay.
Supports both SDI and HDMI and filters through 20 available channels to support more devices working at one time and reduce interference. We can also supply...
Teradek Bolt Pro 2000 is a strong and stable zero delay wireless system, claiming a beasty 2000ft (line of sight) range.
These can also be paired with two or three receivers (additional cost) to send the camera signal to multiple monitors, making it the industry's choice for Film and...
Stable wireless links for up to 600 ft line of sight (stable distance relates to model number - so Bolt 300 claims 300ft, Bolt 500 claims 500ft, etc).
Industry standard wireless links for HD video. Simple to set up. Transmitter requires D-Tap Power. Receiver can be D-Tap powered or via...
The Movcam 303-2400 Accessories Kit is compatible with the Sony Alpha A7S MkII and A7R MkII system cameras. It includes a camera cage with accessory shoe, top handle, riser block and LWS Base Plate.
Portable 1280 x 720 5" HDMI Recorder / Monitor.
Great to mounting onto cameras for a crisp and bright external monitor, and also popular to use on events to record longer periods of time than standard camera cards. A 480gb SSD can give approx 8 hours in Full HD, so great for long...
Records up to 220mb/s onto Compact Flash Cards using SD/HD-SDI or HMDI. Records in either MXF or .MOV format for easy import with Final Cut Pro, Avid, Adobe Premier and a range of other editing software.
Many are using Nano Flash Drives to increase the quality of cameras such as the PMW-...
Apple Mac Book Pro with Thunderbolt ports.
Shotput Pro installed for Media Wrangling - £75 per day or £150 per week. Further discounts available for long-term hires.
Editing and other DIT software available on request - POA.
If you're just looking to backup Media in the...
Set of 4 walkie-talkies that are Licence free and two-way. They are easy to use, a range of up to 10km (under perfect conditions), a handy built-in torch and 8 channels.
Kit Includes: 4 Motorola T80 Extreme walkie-talkies, 4 NiMh batteries, 4 belt clips, 2 x twin chargers
...
The Tiny Lockit provides a rock solid, highly accurate, temperature compensating time code generator.
Except for the sync signal output, it comprises the full functionality of its big brother, including ACN (Ambient Clockit Network) support, metadata transfer and logging. These network...
The EyeDirect (Eye Direct - also referred to as an Interetron) is designed to allow Pieces to Camera with less experienced presenters or interviewees, by giving them eye to eye contact with the interviewer but whilst still looking straight down the barrel of the lens. This is important as it...
The Datavideo Teleprompter is a very simple autocue system for anyone who has used an iPad or tablet device. It can replace dedicated traditional teleprompters at a far cheaper price.
Scripts or cue sheets can be copied and pasted into the 'DV Prompter' app software (available...
Fully programmable Time Lapse system.
Delay timer can be set from 1s to 59s and number of shots can be set from 1 to 99 pictures.
Compatiable with most Canon cameras, call for more information.
SxS Card Readers available - USB 2, USB 3 or Thunderbolt.
Have a load of MiniDV or DVCam Tapes you need to digitise? Play and record to DVCam and MiniDV tapes with the DSR-11.
Supports PAL and NTSC. Requires a computer with firewire connection.
Hoodman for TVLogic 5.6inch monitor
The Genie allows both panning and linear motion control, and attaches to standard gear such as dollies, sliders, jib arms and tripods.
Can be set to repeat certain movements with precision, and even repeating at a percentage of the speed, allowing you to overlay tracking shots at...
Our typical larger Haze Machine is the Hazer Technology HZ-500, for use with stage productions, clubs or indoor filming. (Note, this will have very little effect used outside or where there is a through breeze).
Low-noise operation of under 70dB, controllable by DMX or with the build in...
A few small Hazers available, including Chauvet Arena Hazer 3 and Martin Jem Compact Pro.
Add atmosphere to your film shoot, gig or event with our Haze Machine, which can quickly and smoothly develop a pre-determined level of haze and maintain it consistently.
FEATURES
Water...
Standard 1/4-20 inch thread mount for cameras a great accompaniment to any Magic Arm
Our 25m Extension reels come with a 5m and 10m BNC-BNC breakout cables.
The Sony FS7 XDCA backend extension unit attaches seamlessly to the Sony PXW-FS7 Camera, allowing you to use V-Lock Batteries, and giving timecode in for syncing multiple cameras on a shoot.
When using larger lenses, the Extension Unit will balance any possible front heaviness and...
For J21, J16, J11, HJ21, HJ18, HJ16, HJ11 and HJ11 Digital Drive ENG/EFP Lenses.
The ZSD-300D zoom demand will attach to the lens via a 20-pin connector and allow zoom, zoom speed and record control from the panning handle, making the camera easier and smoother to operate.
Saddle bag to cradle your camera and keep it stable regardless of where it is mounted. Filled with small lightweight beads, it's designed to suit almost any camera in almost any situation.
1 to 6 Channel MultiViewer with SDI and HDMI outputs for 3G/HD/SD and Custom Layouts great for your multi cam shoots and the SDI's loop though so you can go to external ISO recorders or other producer monitors.
Ideal for viewing 4xHD SDI sources on one monitor. 4 x (3G/HD/SD)-SDI inputs and outputs to HDMI in tidy split screen view. Will work into any HDMI monitor or Television.
The AJA HD5DA 1x4 HD/SD-SDI Distribution Amplifier / Repeater with DWP features an auto-sensing input and four separately buffered outputs with automatic cable equalization (up to 410 ft in HD and 984 ft in SD by coax cable). Both input and outputs support embedded audio.
Now it’s possible to convert from SDI to HDMI in all SD and HD formats up to 1080p60! Audio is embedded into the HDMI output and output separately as balanced analog or AES/EBU audio. Mini Converter SDI to HDMI is perfect for using HDMI televisions and video projectors as SDI monitors for all SD...
Denz Directors Pentafinder is (Optical Image Control) is an indispensable tool for any director, cameraman or gaffer. It come with a PL-Mount and with Super 35mm Anamorphic or Spherical ground glass ...
Arri Ground Glass K2 44420.2 TV 1.78 safe 24 x 13,5
Arri Ground Glass K2 44420...
Movie Camera Support Directors Viewfinder for Super 35 and Arri PL Mount Lenses.
Includes Ground Glass 2.35:1 / 1.85:1
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