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Extenders and Adaptors


Extender EF 2X III LensExtender EF 2X III  Doubler
Day rate:
£20

Our 2X III Doubler is ideal for nature, sports and red carpet press shoots in conjunction with our L-series telephoto zoom lens! It increases the focal length of by a factor of 2x great for getting closer to your subject with out being in thee space.



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Canon 70-200 F2.8 IS L Lens

Canon 70-200 F2.8 IS L Lens

One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews. With Image Stabalisation. (non-IS version available for £30)
Canon EF Extender x1.4 Mk III

Canon EF Extender x1.4 Mk III

The Mark 3 Canon 1.4 EF Extender is a huge improvement on the Mark 2. Fits between the lens and EF Mount to give you 1.4x range on your existing EF lens (turning a 200mm into 280mm). Specially designed to work in conjunction with EOS L-series lenses.

Day rate:
£25

The Metabones Canon EF Lens to Sony E Mount T Smart Adapter (Mark IV) allows you to use the vast selection of Canon EF mount zoom and prime lenses on cameras such as the Sony PXW-FS7 or Sony A7s. Just attach the adapter to the front of the camera and you are ready to go. The digital contacts on the smart adapter allow you to utilise features like autofocus and aperture control.



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Canon 11-24mm F4 Lens

Canon 11-24mm F4 Lens

Its hard to put into words just how cool this lens is. This Lens is Super wide, but with very little distortion. ideal for landscape photography, or if your after some very cool video work.
Canon 24-105 F4 Lens

Canon 24-105 F4 Lens

The 24-105 Canon F4 IS lens is a fantastic standard zoom lens. It is wide enough for most cicumstances, and gives a much longer reach than the very well respected 24-70. The addition of image stabilisation gives many advantasges, including a huge rise in image quality from DSLR, such as the Canon 5D Mk II and Canon 7D. Phillip Bloom has stated this is one of his favourite lenses. It is lighter and shorter than the 24-70, and on a crop factor lens has a similar image quality. Even though F4 is slower than a standard F2.8, the background blur achievable at 105mm at F4 is almost the same as 70mm at F2.8. The low light performance of modern cameras such as the C300 is so good that F2.8 is often unnecessary and in many circumstances gives you an unusable depth of field. We use this lens and the 24-70 and have found strengths and weaknesses to both lenses.
Canon 4K Cinema Prime Lens Kit

Canon 4K Cinema Prime Lens Kit

4K Cinema Glass. Set of 4 covers a huge range from a wide 14mm up to 85mm. 14mm T3.1 24mm T1.5 50mm T1.3 85mm T1.3 Hire Canon Cinema 4K Prime Lenses (Canon CinePrimes) from Media Dog, based in Birmingham the Midlands, Manchester and Glasgow Scotland, but ship throughout the UK. 35mm and 135mm Canon CinePrime Lenses also available on request.
Canon 70-200 F2.8 IS L Lens

Canon 70-200 F2.8 IS L Lens

One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews. With Image Stabalisation. (non-IS version available for £30)
Sony a7s MKII

Sony a7s MKII

The a7S MKII Camera is a 35mm Full Frame Camera with 4K Video 35mm Camera is a 24.3-megapixel camera that puts as much emphasis on its movie capture capabilities as its still image prowess. While the a7S MKII is a capable still shooter, Sony has emphasised that its real focus is videography. With its XAVC S format video for extremely high image quality and minimal noise, record movies in the high-bit-rate XAVC S format. It enables Full HD (1920 x 1080) image recording at 50Mbps (60p/50p, 30p/25p, 24p). Key Features In-camera 4K recording ISO range 50-409600 giving you ultra-high sensitivity Record 120fps at 100Mbps giving you 4x/5x slow motion in Full HD S-Gamut3.Cine/S-Log3 and S-Gamut3/S-Log3 giving you an impressive 14 stop latitude Sony latest 5-axis image stabilisation system allows you to correct camera shake
Sony PXW-FS7 Camera Hire

Sony PXW-FS7 Camera Hire

Sony FS7 Hire Sony's new PXW-FS7 4K CMOS Camera features a 4K Super 35mm Exmor CMOS sensor and support for shooting in 4K 50p or Full HD at rates up to 180 fps. Selectable recording formats include XAVC, which supports 4K 50p, HD 50p in 4:2:2 10-bit recording, as well as the common MPEG-2 HD 422 format used by many broadcast stations around the world. Features a Sony E Mount, which can be converted to EF mount using the familiar Sony Metabones adapter (£25 addition), allowing you to use standard L Series lenses as well as EF Mount Cinema Primes. For an extra £25 you can take it with the Sony 28-135mm lens, a handy lens with a servo zoom, auto focus, auto iris. This lens brings all the usability of a camcorder to a camera with a 35mm sensor. Sony PXW-FS7 Camera hire in Birmingham, Manchester, London and throughout the UK. Free delivery on weekly hires.

x2.0 PL Extender Adaptor
Day rate:
£45

Stainless steel PL mount
Aluminium construction, anodised and blackened



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ARRI Alura 15.5-45/T2.8 zoom

ARRI Alura 15.5-45/T2.8 zoom

The ARRI Alura 15.5-45/T2.8 is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 30-80/T2.8 zoom. These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6) best-sellers. The highest optical quality in a robust housing at an good price. They are optimized for digital cameras and are compatible with film cameras and include the ARRI Lens Data System (LDS). Features Lightweight & compact ARRI Lens Data System LDS Increases efficiency of VFX and 3D post Outstanding optical performance High resolution for 2K to 4K+ camera outputs High contrast through minimised flares and veiling glare (FUJINON multi-layer EBC coating) Greatly reduced chromatic aberration through the use of extraordinary dispersion glass Large image circle of 31.5 mm covers all current digital cameras Low geometric distortion and even field illumination Minimised breathing, especially at the wide end, where it counts Nine iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh Consistent contrast, resolution and field illumination across the whole focus and zoom range Large, easy-to-read precision focus scales on both sides Matching focus, zoom and iris scale positions 114 mm front diameter
ARRI Alura 30-80/T2.8 zoom

ARRI Alura 30-80/T2.8 zoom

The ARRI Alura 30-80/T2.8 zoom is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 15.5-45/T2.8. These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6) best-sellers. The highest optical quality in a robust housing at an good price. They are optimized for digital cameras and are compatible with film cameras and include the ARRI Lens Data System (LDS). Features Lightweight & compact ARRI Lens Data System LDS Increases efficiency of VFX and 3D post Outstanding optical performance High resolution for 2K to 4K+ camera outputs High contrast through minimised flares and veiling glare (FUJINON multi-layer EBC coating) Greatly reduced chromatic aberration through the use of extraordinary dispersion glass Large image circle of 31.5 mm covers all current digital cameras Low geometric distortion and even field illumination Minimised breathing, especially at the wide end, where it counts Nine iris leaves for round, out-of-focus highlights and a pleasing, organic bokeh Consistent contrast, resolution and field illumination across the whole focus and zoom range Large, easy-to-read precision focus scales on both sides Matching focus, zoom and iris scale positions 114 mm front diameter
Canon CN7 17-120

Canon CN7 17-120

Optimised with high-speed zoom, iris and focusing to allow operators to respond rapidly during fast-paced scenes. Ideal for use in the field for productions such as documentaries and event filming. With a zoom range from 17-120, it covers a great range whilst maintaining optical quality. A competitor for the very popular Fujinon Cabrio 19-90, this lens is due for release in Autumn 2014.

Media Dog Hire Kit Image
Day rate:
£75
Weekly rate:
£295
Monthly rate:
£895

Sony LA-FZB1 converts the Sony FZ Mount, found on PMW-F55 and PMW-F5 (PMWF55, PMWF5) to Two Thirds Inch (2/3") B4 Adapter, for lenses such as Canon HJ11, HJ14, HJ17 and HJ22.

This allows you to use ENG style lenses from the PMW500, PDW-F800, etc.. on the Sony F5 and Sony F55, still giving you an aspect of that shallow depth of field look, but with a powered zoom lens to acquire footage quickly, and with an ND Filter Wheel.




Day rate:
£15

The Mark 3 Canon 1.4 EF Extender is a huge improvement on the Mark 2. Fits between the lens and EF Mount to give you 1.4x range on your existing EF lens (turning a 200mm into 280mm). Specially designed to work in conjunction with EOS L-series lenses.



Related Items

Canon 16-35 F2.8L MkII Lens

Canon 16-35 F2.8L MkII Lens

One of the best wide angle lenses ever made. This lens is almost as sharp as a prime lens throughout it's zoom range. The mark 2, released in 2012, includes a number of nice tweaks and improvements on the mark 1, further improving the optical quality. For use on cameras such as the Canon C300 and Canon 5D Mk II the shots produced are outstanding.
Canon 24-105 F4 Lens

Canon 24-105 F4 Lens

The 24-105 Canon F4 IS lens is a fantastic standard zoom lens. It is wide enough for most cicumstances, and gives a much longer reach than the very well respected 24-70. The addition of image stabilisation gives many advantasges, including a huge rise in image quality from DSLR, such as the Canon 5D Mk II and Canon 7D. Phillip Bloom has stated this is one of his favourite lenses. It is lighter and shorter than the 24-70, and on a crop factor lens has a similar image quality. Even though F4 is slower than a standard F2.8, the background blur achievable at 105mm at F4 is almost the same as 70mm at F2.8. The low light performance of modern cameras such as the C300 is so good that F2.8 is often unnecessary and in many circumstances gives you an unusable depth of field. We use this lens and the 24-70 and have found strengths and weaknesses to both lenses.
Canon 24-70 F2.8L MkII Lens

Canon 24-70 F2.8L MkII Lens

The classic "walkaround lens". If you were going to have one lens, this is it, because it is a nice compromise between wide and zoom.
Canon 70-200 F2.8 IS L Lens

Canon 70-200 F2.8 IS L Lens

One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews. With Image Stabalisation. (non-IS version available for £30)