Optimised with high-speed zoom, iris and focusing to allow operators to respond rapidly during fast-paced scenes. Ideal for use in the field for productions such as documentaries and event filming.
With a zoom range from 17-120, it covers a great range whilst maintaining optical quality...
The brand new 4K rated version, PL mount with the latest firmware for it to talk to Sony F5 & F55. Works perfectly with Arri Alexa and Red Epic, among others.
With a maximum aperture of T2.9 and a servo zoom, the Fujinon Cabrio is optically stunning but can also operate as an ENG...
The ARRI Alura 15.5-45/T2.8 is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 30-80/T2.8 zoom.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2.6...
The ARRI Alura 30-80/T2.8 zoom is matched to all ARRI prime and zoom lenses. It is a popular choice for film and commercial shoots along with the ARRI Alura 15.5-45/T2.8.
These zooms share the unique characteristics that have made the existing Alura studio zooms (18-80/T2.6 and 45-250/T2....
Arri Master Prime T1.3 PL with incredible close focus capability are best described as perfect. Seriously these lenses are so good at everything that they are actually faultless. They are colour matched with the Arri Ultra Primes and the Arri Alura zooms. They are big and heavy though but it is...
The wonderful Cooke S4i T2 prime lens set of 5, PL mount are famous for the unique 'Cooke look' that directors and DOPs love. These are a firm favourite of Hollywood because of the gentle softness of the image and the gentle way the focus drops away even at T2. These are a joy to focus and...
The Cooke S4i T2 14mm prime lens is a fantastic addition to the standard set of 5 when you need an ultra wide perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image and...
The Cooke S4i T2 100mm prime lens is a fantastic addition to the standard set of 5 when you need a more telephoto perspective This PL mount lens is famous for it's unique 'Cooke look' that directors and DOPs love. They are a firm favourite of Hollywood because of the gentle softness of the image...
Ultra Prime Lenses have the widest focal range of any prime lens set available. They are designed specifically for motion pictures but are an excellent choice for corporate and commercial work.
Ultra Prime Lenses retain their superb image quality even at close focus across the whole...
The Zeiss Super Speed PL Lens set are the most popular of all the vintage prime sets. They are seriously fast at T1.3 for incredible low light performance but are also light and compact. They are also very sharp above T2.8 but below that they give a soft look that Directors love. One of the main...
Canon K35’s Set of 5 fast primes are seriously popular and very cool. They are used for films, commercial and music videos and for any project where a vintage super fast lens is required. They give a softer look than modern lenses with amazing bokeh and flattering skin tones.
Carl Zeiss CP.2 Super Speed 6 prime lens set are fast and sharp but have a compact and fairly light body. These are reliable lenses that will give pleasing results.
Leica Summicron C 6 prime set is a joy to film with, and give that special 'Leica' look that Directors love.
All lenses will cover RED Dragon Sensor in 6K Mode
4K Cinema Glass. Set of 4 covers a huge range from a wide 14mm up to 85mm.
Hire Canon Cinema 4K Prime Lenses (Canon CinePrimes) from Media Dog, based in Birmingham the Midlands, Manchester and Glasgow Scotland, but ship...
T2.2 L - EF Mount Digital Cine Prime Lens
Set of Super Fast PL Primes. Very light so great for gimbal work or when you're running around various locations.
18.5mm, 25mm, 36mm, 50mm, 85mm, all T1.5.
Sony SCL-PK6/F - Set of 6 PL mount 4K Cine lenses set of 6
20mm, 25mm, 35mm, 50mm, 85mm and 135mm - all T2.0
These Sony Prime lenses are a cost-effective PL mount prime lens set. They are certified for 4K capture, and designed to minimize geometric distortion, vignetting and...
The Samyang VDSLR prime lens kit 5 is EF mount and despite the name Produced in Germany. They are very fast and they are impressively compact and light so great for use on a gimbol. They have gears for follow focus or remote as well as iris gears. the lenses are designed to cover a full frame...
15mm, 28mm, 35mm, 50mm, 85mm, and 135mm.
Optimised for video with smooth iris ring. EF Mount.
The small depth of field that is achievable is outstanding, and they create a beautiful bokeh which gives your images a filmic and stylish look.
This is our premium kit, which...
18mm, 35mm, 50mm, 85mm.
Optimised for video with smooth iris ring. These lenses offer incredible video capture that are even better than Canon L glass.
The small depth of field that is achievable is outstanding, and they create a beautiful bokeh which gives your images a filmic and...
As this are E-mount they fit directly on to your Sony A7s, FS5 and FS7
21mm - f/2.8 Wide-Angle lens
35mm - f/2 lens
50mm - f/2 Planar lens
Carl Zeiss Loxia f2 50mm Prime Lens
Carl Zeiss Loxia f2 50mm E-mount Prime Lens
The EF 14mm f/2.8L II USM is a very very wide lens with a 114˚ field of view. It is the widest of Canon's L glass and controls distortion well for such a wide lens.
The image quality is as good as you would expect from a Canon L series lens.
Popular among Photographers and Cameramen alike, Canons 24mm prime is Ultra fast (1.4) and ultra cool.
A wide 84" Angle of view means that this is a perfect lens for your wide shots.
Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2
The 35mm is a standard for both photographers and cameramen. It is is Ultra fast (f1.4) and creates ultra cool images.
Works brilliantly along side the Canon 50mm 1.2 and the 85m 1.2 or and of the L series lenses.
Canon's L Series F1.2 50mm. A classic, and excellent for getting a shallow depth of field.
Canon's L Series F1.2 85mm. perfect for those interview shots, or portrait photography.
Even better when used alongside the 24mm and 50mm
Its hard to put into words just how cool this lens is.
This Lens is Super wide, but with very little distortion. ideal for landscape photography, or if your after some very cool video work.
One of the best wide angle lenses ever made. This lens is almost as sharp as a prime lens throughout it's zoom range.
The mark 2, released in 2012, includes a number of nice tweaks and improvements on the mark 1, further improving the optical quality.
For use on cameras such as the...
The classic "walkaround lens". If you were going to have one lens, this is it, because it is a nice compromise between wide and zoom.
One of the most popular zoom lens ever made. Excellent zoom range makes it perfect for close ups and also for interviews.
With Image Stabalisation. (non-IS version available for £30)
The Canon EF 100-400mm f/4.5-5.6 L IS Mark II USM lens, is superb for getting close up shots of your subject.
Canon Prime Lens with super fast F1.4 for use in low light and to create extremely small depths of field.
This lens is very sharp throughout it's aperture range, and is very light and portable.
Canon 100mm F2.8 Macro Lens.
Get up close to your subject with stunning macro images. Super sharp and super fast focusing.
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The 24-105 Canon F4 IS lens is a fantastic standard zoom lens. It is wide enough for most cicumstances, and gives a much longer reach than the very well respected 24-70.
The addition of image stabilisation gives many advantasges, including a huge rise in image quality from DSLR, such as...
Sigma 18-35 F1.8 - the newest lens from Sigma, remains constant F1.8 aperture through it's zoom range.
Provides a 35mm-equivalent focal length range of 28.8-56mm.
The Metabones Canon EF Lens to Sony E Mount T Smart Adapter (Mark IV) allows you to use the vast selection of Canon EF mount zoom and prime lenses on cameras such as the Sony PXW-FS7 or Sony A7s. Just attach the adapter to the front of the camera and you are ready to go. The digital contacts on...
Sony LA-FZB1 converts the Sony FZ Mount, found on PMW-F55 and PMW-F5 (PMWF55, PMWF5) to Two Thirds Inch (2/3") B4 Adapter, for lenses such as Canon HJ11, HJ14, HJ17 and HJ22.
This allows you to use ENG style lenses from the PMW500, PDW-F800, etc.. on the Sony F5 and Sony F55, still giving...
The Mark 3 Canon 1.4 EF Extender is a huge improvement on the Mark 2. Fits between the lens and EF Mount to give you 1.4x range on your existing EF lens (turning a 200mm into 280mm). Specially designed to work in conjunction with EOS L-series lenses.